Liz Carroll

Carroll's parents were born in Ireland; her father from Brocca, County Offaly, and her mother from Ballyhahill, West Limerick. Her maternal grandfather played the violin[3] and her father played button accordion. Carroll was born September 19, 1956, in Chicago, Illinois and raised on Chicago's south side. She took classical music lessons from nuns at Visitation Catholic School. On Sunday nights, Carroll and her family visited a south side Irish pub that hosted a live radio show featuring traditional Irish music. She earned a degree in social psychology at DePaul University. Carroll's influences include Chicago-born Irish fiddler John McGreevy, Irish button accordionist Joe Cooley, Irish fiddler Sean McGuire, 1983 National Heritage Award-winning uilleann piper Joe Shannon, and pianist Eleanor Neary.

Carroll won second place in the All-Ireland under 18 fiddle championship at the 1973 Fleadh Cheoil, the Irish music competition run by Comhaltas Ceoltóirí Éireann; Frankie Gavin won first. Carroll returned the following year and won first place in the category. In the succeeding year, 1975, at age 18, she won the All-Ireland Senior Fiddle Championship, at the time only the second American to have done so. That same year Carroll and Chicago piano accordionist Jimmy Keane won the senior duet championship. The championships brought recognition of Carroll as one of the most outstanding Irish fiddlers of all time.

In 1977, Carroll and button accordionist Tommy Maguire released the album Kiss Me Kate. The following year, Carroll recorded her first solo album A Friend Indeed, accompanied on piano by Marty Fahey, featuring five of her compositions. In the early 1980s, Carroll toured with Green Fields of America, the Irish traditional music ensemble led by Irish musician and folklorist Mick Moloney. In 1987 she was asked to join the debut tour of the all-female Irish American ensemble Cherish the Ladies, but declined for family reasons. Carroll's second, eponymous solo album was released in 1988, and featured accompaniment by Irish guitarist Dáithí Sproule. In 1992, Carroll, Sproule, and Irish-American button accordionist Billy McComiskey formed Trian and recorded two albums. In 2000 she performed with Don Henley of the Eagles in his encore, which included an Irish song, for fourteen U.S. concert dates. Lost in the Loop (2000), Carroll's first solo album in over a decade, featured thirteen original compositions and was produced by Séamus Egan of Solas. Irish traditional music critic Earle Hitchner of MTV wrote of the track The Silver Spear/The Earl's Chair/The Musical Priest: Carroll's febrile bowing is breathtaking, a model of rolls and triplets executed in fleet, articulate clusters. She sounds almost possessed, yet not once does she lose sight of those traditional reels' melodies in one of the more exhilarating Irish fiddle tracks ever recorded. In the 2000s, Carroll recorded three albums accompanied by Irish guitarist John Doyle, entitled Lake Effect, In Play and Double Play. A 2005 Carroll and Doyle concert at the John F. Kennedy Center for the Performing Arts in Washington, D.C. and an interview was collected by The American Folklife Center at the Library of Congress. On Saint Patrick’s Day 2009 Carroll and Doyle played at the White House for President Barack Obama. Her exceptional playing was distinguished by its muscular, supple lift and swing, immaculately applied ornamentation and fiery attack... Carroll is one of the String Sisters and performs on their live album and DVD titled Live which was recorded in 2005 and released in 2007.

Carroll composed her first reel at age nine, and had composed one hundred and seventy tunes by 2000. In August 2010, two hundred of her compositions, recorded and unrecorded, were published as Collected: Original Irish Tunes. The Irish Echo, a weekly newspaper based in New York City, named Collected the best collection of tunes in 2010. Carroll is "recognized as a gifted composer of tunes in the Irish idiom," according to the Irish Echo. Her compositions are in the performance and recorded repertoires of other musicians. "Many of her tunes have become modern standards," according to The Scotsman. Carroll "has composed more than a dozen tunes that have become beloved standards among her peers," according to the San Diego Union-Tribune. She composed the music for The Mai, a play by Irish playwright Marina Carr that opened at the Irish Repertory Theatre in New York in 1994. In 2001 Carroll collaborated with Irish-American author Frank McCourt on staged readings from his works, a production developed by the Steppenwolf Theater Company in Chicago. Her compositions have been choreographed by Irish dance companies including the Dennehy School of Irish Dancing and Trinity Irish Dance.